Thursday, 23 April 2009
Happy birthday Rome
Celebrations of Rome's 2762nd birthday - with lots of fabulous photos (hat-tip to Chas Clifton).
Wednesday, 22 April 2009
Archaeology in your area
BAJR have produced a map of where you can find all the local and active fieldwork archaeology societies in Britain (using a Google Maps mashup).
Check it out to find a local society in your area. It's also worth visiting the CBA Community Archaeology Forum, which has pages of information about each group's activity.
Check it out to find a local society in your area. It's also worth visiting the CBA Community Archaeology Forum, which has pages of information about each group's activity.
Tuesday, 21 April 2009
The media strikes again
The Times reports that English Heritage has been subjected to a fly-on-the-wall documentary. As usual, the documentary was squeezed into the mould of a particular narrative structure:
Actually I expect the British viewer is thoroughly bored of this narrative arc, but we don't get asked.
The article further complains that they spent 7 million pounds on the purchase and re-roofing of a Jacobean mansion. It does have the decency to point out that this is a mere drop in the ocean compared to the billions spent on bailing out the banks. But it's also a mere drop in the ocean compared to the millions wasted on the Olympics by the Department for Culture, Media and Sport (of which English Heritage forms a part). The Olympics have never been demonstrated to have any long-term benefits whatsoever, whereas saving our heritage can have lots of benefits — for example, community engagement with the local heritage, as has happened at Tyntesfield and other National Trust properties.
And given the fact that the government is planning to cut pay in the public sector, uttering cries of "the public sector is wasting our money" seem a bit like kicking a man when he's down.
The British television viewer is now addicted to the narrative arc of building programmes: man has dream; man starts work; man is thwarted by human or natural disaster; build goes over budget; build is a year late; man is disillusioned; extra dosh is found; build is miraculously finished!
Actually I expect the British viewer is thoroughly bored of this narrative arc, but we don't get asked.
The article further complains that they spent 7 million pounds on the purchase and re-roofing of a Jacobean mansion. It does have the decency to point out that this is a mere drop in the ocean compared to the billions spent on bailing out the banks. But it's also a mere drop in the ocean compared to the millions wasted on the Olympics by the Department for Culture, Media and Sport (of which English Heritage forms a part). The Olympics have never been demonstrated to have any long-term benefits whatsoever, whereas saving our heritage can have lots of benefits — for example, community engagement with the local heritage, as has happened at Tyntesfield and other National Trust properties.
And given the fact that the government is planning to cut pay in the public sector, uttering cries of "the public sector is wasting our money" seem a bit like kicking a man when he's down.
Thursday, 16 April 2009
Interview with Emma Restall Orr
PfA: What is your role in HAD?
ERO: In many ways my role is simply one of co-ordinator, receiving requests or queries and passing them on to those whose expertise or location is more appropriate to the situation. On another level, as founder and the volunteer who has been working longest in the organisation, I am the one who deals primarily with core issues - consultations, conferences and so on - rather than local issues.
PfA: What got you interested in the ancient dead?
ERO: My interest in the dead, death and dying has been lifelong. Though for some it provokes feelings of negativity and pessimism, for me the subject is one that inspires. Here there are often expressions of true courage, generosity, love and appreciation, especially where we pause to one side of the rush of living. So working with the dying and grieving is a part of my daily life as the manager of a natural burial ground. As a Pagan my spirituality further inspires my interest, not just in the circles and cycles of time, of emergence and evanescence, but also in the long flows of human history and ancestry.
PfA: Do you feel a kinship for the people of the past?
ERO: Running immediately on from the previous answer, yes, I feel a profound kinship. I am aware that the ancient dead, no less than those who have lived more recently, provoke in me a deep sense of community, and with it a duty of care. If we think of kinship as blood ties, then I would comfortably say that the chances are that I am indeed related to ancient British dead, but blood isn't everything. There is a profound sense of kinship through community, tribe and landscape - through everything with which we have significant relationships. I feel utterly connected to all those people who have lived on these islands, who sat by the rivers as I do, who watched the skies changing, who grew their food in this mud, who walked the stony tracks that I walk.
PfA: What is your view of human remains?
ERO: As an animist, I perceive and experience human remains as enspirited, in other words, as still humming with the stories of the individual, their community and their landscape. It doesn't matter if the remains are 4000 years old or from the twentieth century, they retain a connection to the living, and thus deserve the consideration of a member of the community to whom they are related - and by 'related', I mean those with whom they have some relational link, whether closely through blood or cultural commonalities, or more broadly through a shared landscape and long history.
PfA: What is HAD's position on retaining human remains for study?
ERO: HAD's position is one that primarily calls for consultation, so that all who have a significant interest in the specific remains in question are given the opportunity to express their views and add to the decision-making about the remains. In this way, those for whom scientific value is key are given an equal standing with those for whom other values are paramount - the spiritual, theological, cultural, social anthropological and so on. On this basis, each case is different, provoking different responses and requiring different consideration. Where there is not adequate contextual information about human remains (and a vast number of such bones are in museum and archaeological stores across Britain) the argument for retention is weaker than where context is clearly documented.
Another key issue for me, however, is the question of the value of what is discovered through study. To take an example, the Natural History Museum in London asserted that the Tasmanian aboriginal culture would, in the future, thank the British scientists for the work they intended to do upon the aboriginal remains, even though the aboriginal repatriation group were expressing no interest in current or future scientific finds. To someone whose conviction in the value of Western science is unshakeable the aboriginal attitude may seem narrow-minded; however, to those whose worldview and values do not depend upon scientific perspectives, the NHM's words can be seen as cultural arrogance expressed through the assertion of what is just another belief system. HAD is keen to ensure that this sort of imbalance is not perpetuated, alternative worldviews and emotional and spiritual values being included as valid criteria, on an equitable footing, in decisions about human remains.
PfA: What do you think about the way human remains are displayed in museums?
ERO: Personally, I find display of human remains in museums problematic, as I know do many Pagans, social anthropologists and others. I would always be happier with casts replacing the original remains, with photographs or graphics being employed where useful and respectful. The visceral experience of feeling connected with remains that have been so isolated from their tribal, environmental and natural context is powerful for me, to the point of being physically nauseating. A part of me always longs to remove the remains, returning them to the mud of the earth to allow them to continue their natural process of dissolving into the cycle of death and transformation.
However, my own view is not that which HAD's collective voice expresses. HAD's Guidance for the Display of Human Remains in Museums is an interesting document, put together in the usual HAD way - through a process of consultation and input from Pagans and museums' staff, finding a way of coherently weaving the different voices into one document that was agreed by all contributors. It is worth having a look at.
PfA: Do you think there is a role for Pagans in archaeology? How do you think the heritage sector should engage with Pagans?
ERO: Absolutely. I think that Pagan perspectives - in all their diversity of theology and philosophy - are important in all areas of life, and not simply from the biased standpoint of being a Pagan myself. Because to the majority of Pagans, heritage, history and landscape are considered sacred, either inherently or indirectly, their position in archaeology has to be of immense value, whether as commentators or as archaeologists themselves. This is particularly so if they are shaking up established views and assumptions. That isn't to dismiss traditional thinking, but provocation to think, to consider more deeply or from alternative perspectives, is enormously valuable and especially within a discipline that is founded on exploration and interpretation - and Pagans are often good at taking that role.
My feeling is that organisations in the heritage sector would (and indeed do) benefit from open and easy discussions with those Pagans who are expressing an interest in the human remains and artefacts in their custody or care. Those museums, archaeological units, and even local historical societies and the like, who have included Pagans in discussion have gained from the input of ideas. After all, Pagans are often the perfect target audience for these bodies: people who are passionate about the past and its place in the present. Their insight can bring a depth and breadth to museum displays, archaeological interpretation and community engagement that would otherwise not be there.
It is a real shame that some heritage organisations have closed ranks against the Pagan community as a whole in response to the reburial requests made by a small Druid group in the West Country. That kind of fearful reaction is wholly unhelpful and is to everyone's detriment - museums, Pagans, and other communities. Thankfully, most organisations are more than happy to do what they can to find the time to listen, to talk, to share.
ERO: In many ways my role is simply one of co-ordinator, receiving requests or queries and passing them on to those whose expertise or location is more appropriate to the situation. On another level, as founder and the volunteer who has been working longest in the organisation, I am the one who deals primarily with core issues - consultations, conferences and so on - rather than local issues.
PfA: What got you interested in the ancient dead?
ERO: My interest in the dead, death and dying has been lifelong. Though for some it provokes feelings of negativity and pessimism, for me the subject is one that inspires. Here there are often expressions of true courage, generosity, love and appreciation, especially where we pause to one side of the rush of living. So working with the dying and grieving is a part of my daily life as the manager of a natural burial ground. As a Pagan my spirituality further inspires my interest, not just in the circles and cycles of time, of emergence and evanescence, but also in the long flows of human history and ancestry.
PfA: Do you feel a kinship for the people of the past?
ERO: Running immediately on from the previous answer, yes, I feel a profound kinship. I am aware that the ancient dead, no less than those who have lived more recently, provoke in me a deep sense of community, and with it a duty of care. If we think of kinship as blood ties, then I would comfortably say that the chances are that I am indeed related to ancient British dead, but blood isn't everything. There is a profound sense of kinship through community, tribe and landscape - through everything with which we have significant relationships. I feel utterly connected to all those people who have lived on these islands, who sat by the rivers as I do, who watched the skies changing, who grew their food in this mud, who walked the stony tracks that I walk.
PfA: What is your view of human remains?
ERO: As an animist, I perceive and experience human remains as enspirited, in other words, as still humming with the stories of the individual, their community and their landscape. It doesn't matter if the remains are 4000 years old or from the twentieth century, they retain a connection to the living, and thus deserve the consideration of a member of the community to whom they are related - and by 'related', I mean those with whom they have some relational link, whether closely through blood or cultural commonalities, or more broadly through a shared landscape and long history.
PfA: What is HAD's position on retaining human remains for study?
ERO: HAD's position is one that primarily calls for consultation, so that all who have a significant interest in the specific remains in question are given the opportunity to express their views and add to the decision-making about the remains. In this way, those for whom scientific value is key are given an equal standing with those for whom other values are paramount - the spiritual, theological, cultural, social anthropological and so on. On this basis, each case is different, provoking different responses and requiring different consideration. Where there is not adequate contextual information about human remains (and a vast number of such bones are in museum and archaeological stores across Britain) the argument for retention is weaker than where context is clearly documented.
Another key issue for me, however, is the question of the value of what is discovered through study. To take an example, the Natural History Museum in London asserted that the Tasmanian aboriginal culture would, in the future, thank the British scientists for the work they intended to do upon the aboriginal remains, even though the aboriginal repatriation group were expressing no interest in current or future scientific finds. To someone whose conviction in the value of Western science is unshakeable the aboriginal attitude may seem narrow-minded; however, to those whose worldview and values do not depend upon scientific perspectives, the NHM's words can be seen as cultural arrogance expressed through the assertion of what is just another belief system. HAD is keen to ensure that this sort of imbalance is not perpetuated, alternative worldviews and emotional and spiritual values being included as valid criteria, on an equitable footing, in decisions about human remains.
PfA: What do you think about the way human remains are displayed in museums?
ERO: Personally, I find display of human remains in museums problematic, as I know do many Pagans, social anthropologists and others. I would always be happier with casts replacing the original remains, with photographs or graphics being employed where useful and respectful. The visceral experience of feeling connected with remains that have been so isolated from their tribal, environmental and natural context is powerful for me, to the point of being physically nauseating. A part of me always longs to remove the remains, returning them to the mud of the earth to allow them to continue their natural process of dissolving into the cycle of death and transformation.
However, my own view is not that which HAD's collective voice expresses. HAD's Guidance for the Display of Human Remains in Museums is an interesting document, put together in the usual HAD way - through a process of consultation and input from Pagans and museums' staff, finding a way of coherently weaving the different voices into one document that was agreed by all contributors. It is worth having a look at.
PfA: Do you think there is a role for Pagans in archaeology? How do you think the heritage sector should engage with Pagans?
ERO: Absolutely. I think that Pagan perspectives - in all their diversity of theology and philosophy - are important in all areas of life, and not simply from the biased standpoint of being a Pagan myself. Because to the majority of Pagans, heritage, history and landscape are considered sacred, either inherently or indirectly, their position in archaeology has to be of immense value, whether as commentators or as archaeologists themselves. This is particularly so if they are shaking up established views and assumptions. That isn't to dismiss traditional thinking, but provocation to think, to consider more deeply or from alternative perspectives, is enormously valuable and especially within a discipline that is founded on exploration and interpretation - and Pagans are often good at taking that role.
My feeling is that organisations in the heritage sector would (and indeed do) benefit from open and easy discussions with those Pagans who are expressing an interest in the human remains and artefacts in their custody or care. Those museums, archaeological units, and even local historical societies and the like, who have included Pagans in discussion have gained from the input of ideas. After all, Pagans are often the perfect target audience for these bodies: people who are passionate about the past and its place in the present. Their insight can bring a depth and breadth to museum displays, archaeological interpretation and community engagement that would otherwise not be there.
It is a real shame that some heritage organisations have closed ranks against the Pagan community as a whole in response to the reburial requests made by a small Druid group in the West Country. That kind of fearful reaction is wholly unhelpful and is to everyone's detriment - museums, Pagans, and other communities. Thankfully, most organisations are more than happy to do what they can to find the time to listen, to talk, to share.
Monday, 13 April 2009
Witch bottle
According to Archaeology magazine:
There's also a website devoted entirely to apotropaic objects, including shoes, dead cats, horse skulls, apotropaic marks (which I have written about before), written charms and witch-bottles.
Two corked seventeenth-century wine bottles, one found on a wreck off the coast of the Netherlands, the other in the foundation of a demolished house in England, have yielded strikingly different contents: a rare example of 350-year-old Portuguese wine, and a putrid concoction of urine and hair designed to harm witches who cast spells.There are a large number of apotropaic deposits on show in the Museum of Witchcraft in Boscastle, including a witch-bottle with urine in it. The Archaeology article claims that this is the first time that it has been definitely proven that witch-bottles contained urine. As most of the Museum of Witchcraft ones were found in walls and so on, that can't be the case, surely? (Unless amateur finds don't count...)
There's also a website devoted entirely to apotropaic objects, including shoes, dead cats, horse skulls, apotropaic marks (which I have written about before), written charms and witch-bottles.
Tuesday, 7 April 2009
Butrint
There's an interesting article on the BBC website about Butrint.
I've been to Butrint, it's an amazing place.
It's a perfect illustration of the meaning of palimpsest, with ancient Greek, Byzantine and Turkish buildings piled on top of each other.
The BBC article neglects to mention that if you're coming from Corfu, you have to get the boat to Saranda and then a coach down a single-track dirt road to Butrint. And they could do with some planning laws in Saranda and the surrounding countryside, too. The Butrint national park is a lovely bit of landscape, though.
I've been to Butrint, it's an amazing place.
It's a perfect illustration of the meaning of palimpsest, with ancient Greek, Byzantine and Turkish buildings piled on top of each other.
The BBC article neglects to mention that if you're coming from Corfu, you have to get the boat to Saranda and then a coach down a single-track dirt road to Butrint. And they could do with some planning laws in Saranda and the surrounding countryside, too. The Butrint national park is a lovely bit of landscape, though.
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